Setting your Sony camera. The f/2.8 Macro can’t find focus on subjects as close as the 30mm f/3.5 Macro can. You can definitely count on getting some amazing crisp shots. Its auto focus is slightly slower and louder compared to f/1.8, but this is not an issue if you’re doing portraits. Here we’ll take a deeper look into each of the lenses. Then we help you choose the right products for your needs. If you decide to buy anything after clicking on our Amazon links, you automatically support us. Best Lenses for Mirrorless Camera Canon EOS M50 of 2021. Standard 50/55mm prime lenses provide a useful focal length for a variety of subjects, “fast” apertures for low-light photography and creative bokeh effects, and all in a reasonably small and affordable unit. Excellent low light performance and very shallow depth of field. It is inexpensive, fast (max aperture f/2), and offers great performance.. (0.52 lbs.) It’s also expensive, sitting at $1000 more than the f/4 version. It’s similar to both Canon and Nikon 24-70mm f/2.8 versions; optical quality is superb, but none of them are stabilized. The Best Sony Mirrorless Lenses for 2021. After doing a lot of research about lens for a Sony Alpha A7R III, I decided to give this superb and modern Sony FE 70-200mm F4 G OSS a try. One of the lenses I use the most is the very first one that came with the original A7R, which is the Sharpest macro for Sony, optically superb. It’s quite similar to the one above, but costs $200 less. Batis lenses are designed by Zeiss and offer auto focus, as well as bunch of other solid features (weather sealing etc.). On the contrary, it’s a lot bigger, twice as heavier and uses a 77mm filter instead of 67mm. The Sony 70-200mm f/4 G OSS was released in 2014 and was for quite a long time the only Sony telephoto lens good for professional use. Any issues? The 85mm is a lot longer and aimed at different types of photographers. For 99% landscape and daytime photography, f/2.8 is already more than enough. It weighs 18.3 oz (518g) and it balances nicely on all A7 bodies. Our guide covers it all. The Sony 85mm is designed to deliver speed, sharpness, and performance while creating an amazing soft bokeh (defocus) effect on the background throughout the entire focal range. Is it the best lens for landscape photography? This momentous Sony lens is specially coated to get the awesome color balance while cutting down on ghosting caused by … Critics will tell you 28mm is not wide enough for landscape, which I disagree with. If you occasionally shoot macro but want something for portraits, you might just fall in love with it. The f/4 versions has very quick auto focus and the image quality is top notch. If you can’t make up your mind which one to go with because you like both, think of where you usually shoot and whether having 1 stop more of light would allow you to get better shots. First, it’s got 11 rounder aperture blades compared to 9 on the f/1.8, which results in even nicer bokeh look. There’s no OSS but you’ve got that built-in the a7R III already. If you’re looking to buy a couple of prime lenses we’ve relisted what each is best for. Sony was one of the first to market with a mirrorless camera, and now offers models ranging from the … It’s a nice lens for photographing subjects that are close to you. Portrait Photography: Vario-Tessar T* FE 24-70 mm F4 ZA OSS FE 85mm F1.8. The body of the f/1.4 ZA has an aperture ring with an ON/OFF switch for easy control. Made for E mount. Best Wide Angle Zoom: 16-35mm. As a I shoot mostly at f/11 on ultra wide-angle lenses, and rarely shoot Astro images, an f/2.8 aperture is not a priority. Its minimum focus distance is 0.92 ft (0.28m) but it’s nothing to use as a lens for close up shots with 0.19x magnification. The ring for manual is focusing is rubberized although we find AF to be a better choice due to the way it’s designed. Colors and sharpness are also quite good, but again not on the level of primes. This lens is ultra sharp then aperture is set to f/4 and, for the price, produces outstanding photos. This impressive Sony fine piece of glass also delivers incredibly contrasty images with eye-popping colors and respectable sharpness and has a fast autofocus motor to make it better for focusing on moving targets as well. The 50mm focal length is well suited for everything from macro to portrait work. If it would be substantially cheaper we would probably consider it as a good value for the money, but for now the Sony 24-70mm f/2.8 GM takes this spot. This lens has a focus limiter switch designed to speed autofocus hunting. Definitely worth the price and the contrast and colors are also superb. 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